{"id":34,"date":"2008-05-11T15:49:00","date_gmt":"2008-05-11T15:49:00","guid":{"rendered":"http:\/\/elhombrejazmin.com\/?p=34"},"modified":"2023-07-05T13:13:18","modified_gmt":"2023-07-05T13:13:18","slug":"arte-outsider-y-mandalas","status":"publish","type":"post","link":"https:\/\/gracielagarcia.com\/en\/arte-outsider-y-mandalas\/","title":{"rendered":"Arte outsider y mandalas"},"content":{"rendered":"
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\"\"<\/figure>\n<\/figure>\n\n\n\n


Adolf W\u00f6lfli <\/span><\/p>\n\n\n\n

 <\/span><\/p>\n\n\n\n

\n
\"\"<\/figure>\n<\/figure>\n\n\n\n


Emanuel Navratil Fantastic City in the City (1940)<\/span>. L\u00e1pices de colores sobre papel de emabalar montado en madera. 38 x 44 pulgadas. Galer\u00eda St. Etienne<\/span><\/p>\n\n\n\n

\n
\"\"<\/figure>\n<\/figure>\n\n\n\n


Minnie Evans. Dise\u00f1o realizado en los Airlie Gardens \u00d3leo y t\u00e9cnica mixta sobre lienzo. (1967)<\/span>. Minnie Evans Sin t\u00edtulo 1945 \u2013 1967<\/span><\/p>\n\n\n\n

Muchos estudiosos del Art Brut han observado la frecuencia con que aparecen en las obras de estos autores composiciones que recuerdan a mandalas. Desde Adolf W\u00f6lfli hasta Emmanuel Navratil, Minie Evans y tantos otros.<\/p>\n\n\n\n

Realizar un mandala es de alguna manera ordenar el caos circundante. Trabajando una geometr\u00eda basada en el centro de poder. De este modo se puede sugerir que los autores que utilizan el s\u00edmbolo del mandala, al situarse en el centro de la estructura, est\u00e1n trabajando la relaci\u00f3n de su s\u00ed-mismo con el cosmos.<\/p>\n\n\n\n

El mandala sirve como prop\u00f3sito conservador especialmente para restablecer un orden existente con anterioridad. Pero tambi\u00e9n al prop\u00f3sito creador de dar expresi\u00f3n y forma a algo que a\u00fan no existe, algo que es nuevo y \u00fanico. El segundo aspecto es quiz\u00e1, a\u00fan m\u00e1s importante que el primero, pero no lo contradice. Porque, en la mayor\u00eda de los casos, lo que restablece el antiguo orden, simult\u00e1neamente implica cierto elemento de creaci\u00f3n nueva. En el nuevo orden, los modelos m\u00e1s antiguos vuelven a un nivel superiror. El proceso es el de la espiral ascendente que va hacia arriba mientras vuelve una y otra vez al mismo punto.<\/p>\n\n\n\n

M.-L. Von Franz. Carl G. Jung. El hombre y sus s\u00edmbolos (p. 225)<\/p>\n\n\n\n

Si te interesan los mandalas, te recomiendo este completo post en el blog Mis mejores zapatos.<\/a><\/p>","protected":false},"excerpt":{"rendered":"

Adolf W\u00f6lfli   Emanuel Navratil Fantastic City in the City (1940). L\u00e1pices de colores sobre papel de emabalar montado en madera. 38 x 44 pulgadas. Galer\u00eda St. Etienne Minnie Evans. Dise\u00f1o realizado en los Airlie Gardens \u00d3leo y t\u00e9cnica mixta sobre lienzo. (1967). Minnie Evans Sin t\u00edtulo 1945 \u2013 1967 Muchos estudiosos del Art Brut […]<\/p>","protected":false},"author":2,"featured_media":3753,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,124,51],"tags":[122,123,125,20],"class_list":["post-34","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-brut","category-mandalas","category-wolfli","tag-adolf-wolfli","tag-emanuel-navratil","tag-minnie-evans","tag-outsider-art"],"yoast_head":"\nArte outsider y mandalas - Graciela Garc\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gracielagarcia.com\/en\/arte-outsider-y-mandalas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arte outsider y mandalas\" \/>\n<meta property=\"og:description\" content=\"Adolf W\u00f6lfli   Emanuel Navratil Fantastic City in the City (1940). L\u00e1pices de colores sobre papel de emabalar montado en madera. 38 x 44 pulgadas. Galer\u00eda St. Etienne Minnie Evans. Dise\u00f1o realizado en los Airlie Gardens \u00d3leo y t\u00e9cnica mixta sobre lienzo. (1967). 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