{"id":1923,"date":"2008-01-05T09:12:00","date_gmt":"2008-01-05T09:12:00","guid":{"rendered":"http:\/\/elhombrejazmin.com\/?p=18"},"modified":"2023-07-04T15:59:43","modified_gmt":"2023-07-04T15:59:43","slug":"arte-a-partir-de-los-60-anos","status":"publish","type":"post","link":"https:\/\/gracielagarcia.com\/en\/arte-a-partir-de-los-60-anos\/","title":{"rendered":"Arte a partir de los 60 a\u00f1os"},"content":{"rendered":"
\n
\"Vollis<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n


Vollis Simpson \u201cMolinillos gigantes\u201d. Fuente: MAIZELS, John (1996) Raw Creation. Outsider Art and beyond. <\/em>Hong Kong, Phaidon\"\"<\/a><\/p>\n

Tressa Prisbey, comenz\u00f3 a construir a los 60 a\u00f1os el que ser\u00eda llamado Bottle Village. Todo empez\u00f3 por la necesidad de levantar un lugar para guardar su colecci\u00f3n de 17000 l\u00e1pices. Pens\u00f3 que una manera econ\u00f3mica de hacerlo podr\u00eda ser servirse de botellas amalgamadas con cemento. Debi\u00f3 encontrar la experiencia muy gratificante pues dedic\u00f3 los veinte a\u00f1os siguientes a la construcci\u00f3n de otras trece casas de botellas, dos pozos de los deseos, una fuente, varias plantaciones, dos altares y un paseo de mosaicos. Los \u00fanicos materiales que compr\u00f3 fueron cemento, arena, papel de pared y vigas de madera. El resto lo tom\u00f3 del vertedero local.
<\/span><\/p>\n

Tressa se cas\u00f3 a los 15 a\u00f1os con un hombre de 52 que ya ten\u00eda siete hijos. Le dej\u00f3, qued\u00e1ndose a cargo de los ni\u00f1os, seis de los cuales murieron. En su obra hay abundantes referencias a la maternidad y tambi\u00e9n invocaciones de magia simp\u00e1tica (pozos de los deseos, amuletos\u2026). De lo que m\u00e1s orgullosa estaba La se\u00f1ora Prisbey era de su capacidad para generar algo de la nada.<\/p>\n

\n

\u201cCualquiera puede realizar cualquier cosa con un mill\u00f3n de d\u00f3lares. F\u00edjate en Disney. Pero hace falta algo m\u00e1s que dinero para crear algo de la nada, y mira lo bien que me lo he pasado haci\u00e9ndolo.\u201d<\/p>\n

Tressa Prisbey<\/span><\/span><\/div>\n<\/blockquote>\n

Otra demostraci\u00f3n de vitalidad e imaginaci\u00f3n: Vollis Simpson, que era fabricante de maquinaria para transportar casas. En su jubilaci\u00f3n aplica sus conocimientos en la construcci\u00f3n de unos molinillos de diez metros de altura a partir de carrocer\u00eda y otros desechos de veh\u00edculos. En Alcolea del Pinar, Guadalajara, tenemos el ejemplo de M\u00e1ximo Rojo. A los 67 a\u00f1os comienza a transformar su jard\u00edn en un museo que llamar\u00e1 \u201cEl Jard\u00edn Escult\u00f3rico\u201d<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/a>Tressa Prisbey \u201cBottle Village\u201d. Fuente: SCHUBERT, Marcus (1991) Outsider art II: Visionary environments. <\/em>Kyoto, Art Random 75<\/p>","protected":false},"excerpt":{"rendered":"

Vollis Simpson \u201cMolinillos gigantes\u201d. Fuente: MAIZELS, John (1996) Raw Creation. Outsider Art and beyond. Hong Kong, Phaidon Tressa Prisbey, comenz\u00f3 a construir a los 60 a\u00f1os el que ser\u00eda llamado Bottle Village. Todo empez\u00f3 por la necesidad de levantar un lugar para guardar su colecci\u00f3n de 17000 l\u00e1pices. Pens\u00f3 que una manera econ\u00f3mica de hacerlo […]<\/p>","protected":false},"author":2,"featured_media":3434,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[76,22,71],"tags":[77,78,69,79,28,80],"class_list":["post-1923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte-mayores","category-escultecturas","category-museos","tag-bottle-village","tag-giant-whirlings","tag-maximo-rojo","tag-tressa-prisbey","tag-visionary-environments","tag-vollis-simpson"],"yoast_head":"\nArte a partir de los 60 a\u00f1os - Graciela Garc\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gracielagarcia.com\/en\/arte-a-partir-de-los-60-anos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Arte a partir de los 60 a\u00f1os\" \/>\n<meta property=\"og:description\" content=\"Vollis Simpson \u201cMolinillos gigantes\u201d. Fuente: MAIZELS, John (1996) Raw Creation. Outsider Art and beyond. Hong Kong, Phaidon Tressa Prisbey, comenz\u00f3 a construir a los 60 a\u00f1os el que ser\u00eda llamado Bottle Village. Todo empez\u00f3 por la necesidad de levantar un lugar para guardar su colecci\u00f3n de 17000 l\u00e1pices. 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